Changes All Around
By the mid-fifties, live-action films and TV were providing more of Disney’s revenue – and hit songs – than the animated features.
By the mid-fifties, live-action films and TV were providing more of Disney’s revenue – and hit songs – than the animated features.
Edgar O. Kiechle moved on from Lantz but remained at the studio as a set painter for Universal Pictures, leading to his scene-stealing work in “For Love or Money”.