Popeye On Television: 1970-1990
It is much more difficult to revive a classic animated character than studios imagine, despite the many examples to show them the error of their ways.
It is much more difficult to revive a classic animated character than studios imagine, despite the many examples to show them the error of their ways.
This little storybook from 1949 gives us not only some nice color and black and white illustrations, but a storyline based loosely on two theatrical cartoons.
Still more Hanna-Barbera material from the Hal Humphrey file at USC. This week a press release relating to Jonny Quest, a Saturday Evening Post article and Hanna-Barbera’s tenth year anniversary.
More material from the Hal Humphrey file at USC. This week a few things relating to the first Hanna Barbera prime time series, The Flintstones, Top Cat and The Jetsons.
Amongst the archives of newspaper columnist Hal Humphrey are clippings and press releases from Hanna Barbera – and letter from Daws Butler.
These internal memos – I believe from the files of CBS – I post for no other reason than they’re just a few more pieces in the jigsaw puzzle of animation history.
To be sure, television was a democratizing force in animation. It allowed African Americans to see cartoons in their homes, in contrast to being restricted to balcony seats at theaters.
“Cartoonists are unusual people. They are adults who never grow old,” said Bill Hanna. “Our employees’ ages range from the teen-aged to the white-haired, but the atmosphere is that of the young at heart.”
Here are a few of the known comic book stories, that I’m aware of, written by Fleischer-Warner Bros-Hanna Barbera storyman Warren Foster.
H-B’s last attempt at a Disney-style animated musical resulted in three soundtrack albums reflecting the film’s vocal and musical artistry as well as its sticky sweetness.
