Frank Goldman Was a Rock Star!
Frank Goldman was trained as an architect before following his cousin to Bray Studios, where he made himself more than useful.
Frank Goldman was trained as an architect before following his cousin to Bray Studios, where he made himself more than useful.
Upon it’s release, the cartoon’s reviews emphasized the film’s use of music, the lack of any advertising, and commended it’s use of Technicolor.
How were they able to release this cartoon in Technicolor when Disney had the exclusive rights to the process? Find out here.
Rummaging through Mark Kausler’s film closet, I found several examples of silent animation created by the Carpenter-Goldman film Laboratory.
As a follow up to my recent posts on Rhapsody In Steel and the adventures of Nicky Nome, it’s only appropriate that we briefly review the other screen appearances of Ford’s ‘V8 Imp’.
This third chapter of Jonathan Boschen’s “Rhapsody In Steel” series is a look at the 1940 remake, created for the Ford Pavilion at the New York Worlds Fair.
This week we’ll look at what were Frank Goldman’s unofficial remakes, The Master Hands and A Coach For Cinderella, produced for Chevrolet by Jam Handy.
One of the popular attractions of the 1933/34 Chicago World’s Fair was an ambitious industrial film entitled Rhapsody In Steel – produced by Audio Productions.
The man responsible for the vast majority of the Jam Handy studio’s stop motion work was Francis Lyle Goldman, aka Frank Goldman, whose work has been sadly overlooked.