How To Upstage Kirk Douglas, 1963
Edgar O. Kiechle moved on from Lantz but remained at the studio as a set painter for Universal Pictures, leading to his scene-stealing work in “For Love or Money”.
Edgar O. Kiechle moved on from Lantz but remained at the studio as a set painter for Universal Pictures, leading to his scene-stealing work in “For Love or Money”.
The Lantz studio provided many artists the opportunity to develop their expertise, even if they might later have done their most notable work elsewhere. In the case of painter Ed…