Famous Studios: Popeye Washes Out His Theatrical Career
Their were endless possibilities in the combination of Popeye, Olive Oyl, and Bluto – as well as in the music played in the background.
Their were endless possibilities in the combination of Popeye, Olive Oyl, and Bluto – as well as in the music played in the background.
The songs used as the studio launched its own stable of characters to compete with the Looney Tunes and Tom and Jerry.
Extreme cases present themselves, when a cartoon you had to skip over because it was unavailable suddenly gets found. Here are a few.
A notable change in the 1940s was the replacement of musical director Sammy Timberg by Winston Sharples, who had a habit of dipping into the Famous Music reliquary.
The Paramount Noveltoons during the immediate postwar years were met with considerable musical success.
Paramount cartoons return to New York and introduce a new cartoon series during the wartime forties – loaded with music.
When Paramount foreclosed on Max Fleischer’s studio, they certainly had great hopes for Popeye. He was their bread and butter (despite wartime rationing).
A special supplement to wrap up the Fleischers, on the recorded work of our favorite Valentine, Mae Questel, on records.
The Fleischers must have thought they could restore their relationship with Paramount by putting out occasional specials in Technicolor. They were wrong.
In 1940, a color series featuring Gabby from Gulliver’s Travels, and a bunch of lackluster one-shot cartoons filmed in black and white.