Merrie Melodies 1939-40: A Significant Year
The 1939-40 season of Merrie Melodies saw many familiar to us from endless television runs – and, late in the season, one of the most significant cartoons of all.
The 1939-40 season of Merrie Melodies saw many familiar to us from endless television runs – and, late in the season, one of the most significant cartoons of all.
By the 1939-40 season, a new pattern had now been established – and the use of Warner songs in the cartoons became much more sophisticated.
We continue with the first of many extended seasons of Merrie Melodies to come. The Warner animators were not only creative, but prolific in output – a profitable combination of character traits, to say the least.
The musical highlights from those Merrie Melodies cartoons familiar from television as part of AAP’s package of shorts, first syndicated in 1956.
For the 1938-39 film season, there were about twice as many Merrie Melodies produced in color as there were Looney Tunes in black and white.
Continuing our on-going survey of the songs used in the 1930s Warner Bros. cartoons, this week a particularly strong 1937-38 season of hits.
By the beginning of the 1937-1938 season, both the Looney Tunes and Merrie Melodies were zooming their Warner Brothers’ shields at the audience.
By the beginning of the 1936-37 season, many of the building blocks that would form the ediface of Warner Bros Cartoons were available to Leon Schlesinger.
Carl W. Stalling comes aboard to do the musical scores, replacing the Brown – Spencer team, finding new ways to use the Warner songs creatively in the cartoons.
Here are the melodies that inspired much of the “merrie” in the AAP package, syndicated to local television from 1956 through the 1980s.