Snafu Special: For the Boys
Leon Schlesinger’s studio contribution to the war-effort, contained in the monthly “Army-Navy Screen Magazine”, was Private Snafu -the quintessential Army screw-up.
Leon Schlesinger’s studio contribution to the war-effort, contained in the monthly “Army-Navy Screen Magazine”, was Private Snafu -the quintessential Army screw-up.
With this week’s chapter we’re going to start tightening up our format, listing select titles in order of appearance, irrespective of series banner.
There were only a dozen Looney Tunes cartoons produced this season… and some of those were now released in Technicolor.
Continuing with the Merrie Melodies for 1942, as the mood sways from the traditional to some periodic patriotic flag-waving.
The 1941-42 season saw Bugs Bunny became the main character at Warner Brothers cartons. Here were the tunes that backed him up.
By the end of this season, there were not only occasional references to the ongoing conflict, but entire cartoons inspired by it.
Continuing with the latter portion of the season in which Bugs Bunny came unto his own – and our survey of the songs Carl Stalling used on the soundtracks
Carl Stalling continued to fold songs – both old and new – into the scores of the WB cartoons.
The background music in the Looney Tunes during the 1940-41 season, at a time when the world seemed to want comedy – and escapism.
The remainder of the 1939-40 Merrie Melodies include titles that crystalize the personalities of two of Warner’s top characters.