Walt Disney’s “Mary Poppins” Makes Recording Industry History
Our friend Richard Sherman turned 90 last week! Let’s celebrate the impact he and his brother Robert had on the Disney record company with their landmark score.
Our friend Richard Sherman turned 90 last week! Let’s celebrate the impact he and his brother Robert had on the Disney record company with their landmark score.
The first toy-driven Saturday morning series inspired more than just negative pushback—it created an historic start-up opportunity and a groovy soundtrack LP.
The last Pooh featurette to be released during Disneyland Records’ original vinyl era was also the only one to feature Paul Winchell as Tigger—and win a Grammy.
Mel Blanc would be 110 on Wednesday, so here’s a “Spin” focusing on a little-discussed member of his “stable” who he performed longer on records than in films.
In an unusual (and very popular) audio adaptation of a Disney animated feature, the voice of Cinderella was Snow White and Maleficent was the Wicked Queen…?
Fresh off their Grammy-winning triumphant Beatles cover album, The Chipmunks set their sights on pop, country and surrealism, without a peep out of Dave.
The innovations of the pioneering Disney Music Group composer/conductor, who would have been 105 this Friday May 11th, still influence every groove, disc and download.
Be with us this time for: “If the people who did these voices watched the cartoon before making the record, I’m Lorna Doone” or… “Puss Gets the Bootleg!”
Four months before the release of Alice in Wonderland, bandleader Fred Waring introduced the songs with a TV “mini-musical” and a Decca Records “cast” album.
Since the maladjusted mallard was mere albumen and yolk and 81 years ago today, we salute some of his records in a post that’s surely worth more than a million box.