Animation History
August 13, 2018 posted by Jerry Beck

Warner Club News (1963)

The Incredible Mr. Limpett crew (back row, l to r): Bob McKimson, Bill Tytla, Harry Love, Tom O'Loughlin, Dave De Patie, Treg Brown, Friz Freleng, Lee Halpern, Bob Matz, Lew Irwin, Hawley Pratt, Bill Orcutt; (front row, l to r): Gerry Chiniquy, Art Leonardi, O. B. Barkley, John Dunn and Virgil Ross

The last days of Warner Bros. Cartoons – (back row, l to r): Bob McKimson, Bill Tytla, Harry Love, Tom O’Loughlin, Dave De Patie, Treg Brown, Friz Freleng, Lee Halpern, Bob Matz, Lew Irwin, Hawley Pratt, Bill Orcutt; (front row, l to r): Gerry Chiniquy, Art Leonardi, O. B. Barkley, John Dunn and Virgil Ross

JANUARY 1963

These columns usually didn’t acknowledge when a person left the studio – or any dramatic changes of company status – but it was undeniable at this point. David DePatie notes here that this is “our final holiday season together as a division of this company” – and the columnist acknowledges the November 30th (1962) resignation of Friz Freleng after “29 years” (Actually, not counting his one year away at MGM, Friz was with the studio for over 30 years!)


FEBRUARY 1963


MARCH 1963

This month marked the passing of Robert McKimson’s wife and Art Leonardi’s father… of Chuck Jones’ Now Hear This being nominated for an Oscar… but more fascinating are these recently uncovered memos from David DePatie to his father Edward discussing details of continuing the cartoon studio as an independent, privately owned company, DePatie-Freleng Enterprises. Kinda like the company Leon Schlesinger Productions was – before Warners bought ’em.




APRIL 1963



MAY 1963

This is the final employee column emanating from the Warner Bros. Cartoon Division for the Warner Club News. Nothing special. Rather dull… the staff is finishing up post production of the 1963-1964 season of cartoon shorts… completing ink-and paint work on The Incredible Mr. Limpet (curiously never mentioned in these columns). In a few months DePatie Freleng would move in, but for now…


JUNE 1963

In June 1963, Warner Bros. released a Robert Preston, Tony Randall comedy called Island Of Love. In it, Tony Randall plays a ghost writer who, after being liquored up by con-man Robert Preston, will write any old junk… including (as indicated in the clip below) a “Bugs Bunny” cartoon.

It’s almost as if the studio was saying that the worst thing a writer could do, the lowest wrung on the creative totem pole, was to pen a cartoon… a Bugs Bunny cartoon. What a sad way to commemorate the closing of the greatest short cartoon studio of all time.


Released JANUARY 1964

“That’s All, Folks!”

(Thanks, Ned Comstock)

20 Comments

  • Jerry, it’s been a fascinating trip through time in the Warner cartoon studio – even if I gleaned a more profound knowledge of the gals in Ink and Paint than anything else. Like Gene Deitch’s HOW TO SUCCEED IN ANIMATION did for Terrytoons, we’ve walked through the halls of the building and experienced the day to day work life of some great talented people.
    Thanks!

    • Very much AGREED!

  • I wonder why there was no mention of Mr. Limpet in the newsletter. The animators would have certainly considered it a prestige project, even if the rest of the studio didn’t. Perhaps many of them didn’t find it as fun as the cartoons?

    At any rate, there should probably be a post about the making of Mr. Limpet. There should be some interesting stories there.

    • The writer was a corporate secretary in an office. She didn’t hang out with animators. She seems to have been hung up on bridge club-type gossip–babies, birthdays, etc.
      Much like the studio, the newsletters went downhill from what they were in the 1940s editions.
      Jerry should be thanked for making these public to give everyone a bit of a window on what was happening at the studio.
      Given that Friz left in Nov. ’62, and a written proposal was presented to Warners the following March, I wonder when he and DePatie conceived the idea for their studio. It would appear Friz’s sojourn at Hanna-Barbera after leaving Warners was only intended to be temporary. (Variety didn’t mention the creation of DePatie-Freleng until its issue of May 31st).

  • No indication that a certain pink feline is waiting around the corner…

    It’s been great getting to know the people behind the cartoons and their daily lives and milestones. This Warner Club News has been a real treat to follow each week.

    Thanks, Jerry!

    • Yes, I would love to see this Monday series touch some on Mr. Limpet, then follow the history of DePatie-Freleng’s output.

      As always, thanks Jerry!

    • “No indication that a certain pink feline is waiting around the corner…”

      …unless you consider the color of the paper that the memo detailing the proposal for the new studio is printed on…

    • “No indication that a certain pink feline is waiting around the corner…”

      …unless you consider the color of the paper that the memo for the proposal of the new studio is printed on…

  • On “Island of Love” slamming the Bugs Bunny cartoons, maybe Tony Randall was referring to the ones made in that final few years..!

    • My though exactly!

  • “A couple of good cartoons are coming off the production line” […] “MEXICAN CAT DANCE”

    [stifles laughter]

  • I thought Friz was at MGM for 2 years…

    • Actually he was at MGM for about 18 months. From late 1937 through April 1939. More than a year, less that two.

  • “THANKS, MAN, FOR ALL THE (WARNER CLUB) NEWSLETTERS.”
    They were enjoyed, so enjoyed.

  • Inquiring minds want to know: Did Harry Love ever find love?

    • Al, from what I have read, when Harry was at Hanna-Barbera, he and Joe Barbera used to go out for lunch and have their eye on the waitresses. It doesn’t, however, appear he married.
      The real interesting thing the newsletter reveals is Harry Love changed his name from Lieblich. Lo and behold, the 1930 census for the Bronx lists shows a Harold Lieblich, age 19, occupation movie cartoonist. (His father sold cigars).
      His mom passed away in Los Angeles on Nov. 29, 1963.

  • I’m never sure how many cartoons Friz Freleng directed for MGM. I may have been misinformed somehow that Friz actually directed “THE BOOK WORM”, a cartoon attributed to Hugh Harman, but I gather that someone will correct me. All I’d heard about regarding Freleng’s tenure at MGM was that he loathed doing the CAPTAIN AND THE KIDS series. Despite that, I liked Freleng’s entries in the series, and it was nice to see ’em in heavy rotation on Cartoon Network for “LATE NIGHT BLACK AND WHITE”. I only wish a series like that lasted to see all Warner Brotehrs black and white entries included in that heavy rotation.

  • So were the 26 revised Bugs Bunny TV shows done, and if so, made available for us USA viewers?

  • Thanks for digging these newsletters up, Jerry. It’s all very interesting to see how DePatie-Freleng evolved and the “Island of Love” clip certainly showed how little respect that great division received. You find the most amazing treasures.

  • Strange that in none of the most recent of these newsletters was there any mention of animator Manuel Perez. I know for a fact that Perez started with WB some years before the studio’s official closure, receiving credit on all the cartoon shorts he worked on, and continued his tenure when the studio transitioned into DePatie-Freleng Enterprises. Was there any unchecked bias towards Mexican-American artists at the studio that fellow WB alums have acknowledged in recent years?

Leave a Reply

Your email address will not be published. Required fields are marked *