Animator Profiles: ARTHUR DAVIS
We’ve saved the best for last day of the month – an overview of the vast career of animator/director Arthur “Art” Davis, a favorite among many of us.
We’ve saved the best for last day of the month – an overview of the vast career of animator/director Arthur “Art” Davis, a favorite among many of us.
The studio is transitioning away from its regular schedule of theatrical shorts – and towards a new direction with commercials and The Incredible Mr. Limpet
Continuing on in the last few years of the original Warner Bros. Cartoon studio… as seen via these in-house columns in the studio employees magazine, Warner Club News.
I’m afraid the Bugs Bunny Lari-Loop Larriette was no hula-hoop or coon-skin cap… but nice try!
The most recent of the Censored Eleven cartoons from Warner Brothers – and the only film among the eleven to have been produced by Eddie Selzer.
The Looney Tunes staff moves into a new building on the lot – and Gerry Chiniquy was a child movie actor named Monte Clare?
We continue on with the second half of 1954 with five more months, scattered throughout the year, of animation columns from the Warner Club News.
The second article of the “Censored Eleven” series is about the Warner Brothers “Merrie Melodies” cartoon Sunday Go to Meetin’ Time (1936) – a film based around a tune by…
Once again an overload of Paramount submissions, two really good Warner Bros. cartoons, a visually spectacular Donald Duck and an independent film from John Wilson.
Shedding some light on the Mintz studio, with focus on the early sound period from 1929 to 1931.