Happy Holidays all! It’s been a week of non-stop catch up here, but things are settled down as of today happily.
On the Thunderbean front: The Yuletide Flickers Blu-ray/ DVD sets are ALL sent! In theory all will make it to everyone before Christmas except the ones going to other countries. There was an issue in replication with the DVD version, so some people with get the DVD trailing a day behind the Blu-ray and case. I hope everyone likes the set- it was a fun set to work on. I’m looking forward to the next projects- and a momentary break as well!
The bonus disc that came with the pre-order has the Coronet Films produced animated short The Littlest Angel on it, transferred for the set from a Kodachrome print. I thought I’d share that transfer for this week’s post. Coronet distributed this film for many years in 16mm for the educational film market. Later prints have turned red, but the earlier prints are in beautiful Kodachrome.
This short was a collaboration between Hugh Harman Productions and Coronet’s in house staff. In 1990 or so, I talked with animator Gordon Sheehan, who remembered working on this film in 1949 or 50, in house at Coronet. He remembered it being in production for many months, and long hours trying to get it finished. Hugh Harman was directing from California, sending layout drawings and some limited animation on the main characters to Coronet in Chicago. It appears that all the backgrounds were painted at Coronet. I wonder if there’s a list anywhere of who worked on this short at both studios.
Harman doesn’t receive any credit on this short or on the later Tom Thumb in King Authur’s Court. Gordon remembered that Hugh wasn’t with this production all the way through, and the same held true for the later film. A little while back I wrote a little about that film, Here.
I think the cel work on this film is very nice, with many colored lines and good tracing. I would have maybe guessed that cels were done at Hugh Harman’s studio since they seem so accurate to the drawings. Other sections look clearly rushed through. I wonder if the Harman Studio did some of the cels?
The animation on this film is of course very limited, and not immediately recognizable as the same studio- however, if you look at some of the war shorts that Harman did you can see some of the same techniques. I’m not completely sure of all the footage was compiled and filmed at Coronet, but that is likely. It also appears to have been shot and edited in 16mm.
The film does seem a little overlong and not as well paced as it could be, but it’s an interesting curio and has some entertainment value. It feels slow to stretch footage to me. I wonder how many kids had to sit through this in grade school over the years.
A handful of years back, I did storyboards on a newer version of The Littlest Angel a CG feature. The boards were fun to do, and had to be done fast- I tried to add as many gags as I thought I could get away with. I boarded about 25% of that feature; in the end I was given an animation director credit on the film, something I didn’t do – but I think they gave the credit because I did so many poses in my boards to try to get some personality in a fairly straight forward script. The whole time working on it I thought about this little film and the fun personality and ideas in the poses. It looks like they used one of my boards for the poses on the DVD cover of the film.
I hope everyone has a great holiday season! Cheers!